![]() Music that vibrates at this frequency simply does not get made without lunatic commitment.īut there is a knowing wink buried within the music’s hairpin turns and dissonances. The lyrics are dense and specific enough to wonder if the soldier character named Tristan Bongo (from “Welcome to Hell”) might have served under the homophobic, screaming captain from “Eat Men Eat,” or if the diamond miner who died and became a diamond himself (from Cavalcade’s “Diamond Stuff”) might have been buried in the dirt beneath the feet of the post-apocalyptic preacher and cult leader of “ John L.” You can find multiple Reddit threads devoted to why Greep keeps mentioning anteaters. ![]() Their compositions don’t feel arranged so much as welded together at impossible angles according to the precise calculations of aeronautical engineers. There are nine or ten tabs open in any ten seconds of black midi music-themes, sub-themes, recurring characters, historical references. Of course you are meant to take this shit seriously. When compared with their inky-black music, which throbs with a terrible intensity, Greep's insistence on “fun” seems like special pleading.
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